Vol. 50 No. 2 (2025)

Published 2025 December 15

Introduction

Stefano Aloe, Bartosz Osiewicz

9-13

Как быть русистом в эти времена?…

https://doi.org/10.14746/strp.2025.50.2.0

Articles

Giulia Baselica

15-29

If art is a lie that brings us closer to the truth, can Russian literature be read after the Bucha massacre?

https://doi.org/10.14746/strp.2025.50.2.1

Efraim Podoksik

31-49

Dostoevsky after Bucha

https://doi.org/10.14746/strp.2025.50.2.2

Iwona Anna Ndiaye

51-71

The works of Fyodor Dostoyevsky and Leo Tolstoy during the Russian-Ukrainian war. Pro et contra in French media discourse

https://doi.org/10.14746/strp.2025.50.2.3

Oleg Rumyantsev, Olha Tuluzakova

73-91

Hate speech in the Russian mass-media at the present stage

https://doi.org/10.14746/strp.2025.50.2.4

Daniyar Sabitov

93-106

“russia” with a lowercase letter: A mythological approach

https://doi.org/10.14746/strp.2025.50.2.5

Ivan Posokhin

107-119

Reflections on the new emigration: Images, practices, and texts

https://doi.org/10.14746/strp.2025.50.2.6

Ivan Smirnov

121-132

The existential tragedy of migrants in the narratives of Fyodor Stepun

https://doi.org/10.14746/strp.2025.50.2.7

Liliana Kalita

133-146

The knockout of citizens. The culture of violence in Russia and its representation in Natalia Klyucharyova’s work Wagon Russia

https://doi.org/10.14746/strp.2025.50.2.8

Benjamin Sutcliffe

147-161

Time to live: Writing war and empire in the South Caucasus

https://doi.org/10.14746/strp.2025.50.2.9

Duccio Colombo

163-179

Stars in Saturn: Semiotic war in Russia and in the Soviet Union

https://doi.org/10.14746/strp.2025.50.2.10

Larissa Naiditch

181-201

Visual vs. verbal space of art in the semiotics of Juri Mikhailovich Lotman. A study of still life

https://doi.org/10.14746/strp.2025.50.2.11